Showing posts with label The Granta Book of the African short Story. Show all posts
Showing posts with label The Granta Book of the African short Story. Show all posts

Saturday, 28 April 2012

Uhura means freedom

As I was reading the introduction to The Granta Book of the African Short Story, I did a double-take at this sentence from literary critic Paul Zeleza's essay 'Colonial Fictions: Memory and History in Yvonne Vera's Imagination':
This generation incorporated in their literary imaginations disdain for colonialism and distrust of nationalism that had animated earlier generations of writers who bemoaned the cultural agonies of colonialism and the aborted dreams of uhuru.
Bemoan Uhura?  No way! Lieutenant Uhura? Who could forget her calm handling of any crisis on Starship Enterprise?

And then I noticed it was uhuru, lower-case, no letter A on the end. Looked like a chance to learn yet another new word. And where better to check it out than on a Star Trek site, with a quote from Spock, that compendium of all useful information? He said: 'And Uhura, whose name means freedom.'

Once I set off around the Net to research the word uhuru, I was overwhelmed by the wealth of sites devoted to it. If, like me, you are unfamiliar with the historical and societal implications of this movement, just search the term.

Friday, 27 April 2012

African short stories and the Internet

As I browsed the Melbourne City Library recently, I saw a book facing out, probably placed by a librarian who recommended it. The book was The Granta Book of the African Short Story. That sure looked interesting, but I didn't want to carry a book on public transport because I had my hands full already.

Next day, I wandered into my local library, and there, facing out on the 'recent returns and new books' display, was the same book. Obviously I was meant to borrow it.

So I'm reading it.

In the introduction, Helon Habila says:
With the coming of the Internet to many parts of urban Africa in the late 1990s, a new avenue for publishing was discovered and the African short story finally began to get its long-overdue moment of recognition. [This follows a discussion of the emphasis on novels at the expense of short stories.] The traditional publishing landscape, with its excessive restrictions, was suddenly superseded. The Internet is today doing what the newspapers and magazines did to the development of the short story in Europe and America at the start of the industrial age. It is worth pointing out that the Internet, due to its own peculiar restrictions, seems actually to favour short stories over novels, thereby reversing the restrictions that traditional publishing had placed on African fiction.

Food for thought. Is the Internet giving the short story new life everywhere in the world? I hope so.

In my opinion, eReaders also favour short stories. It seems ages since I bought a BeBook Neo. I didn't use it for a long time, until I had the bright idea of transferring to it the stories I download from my subscription to Beneath Ceaseless Skies. Now I can sit comfortably at the table with my eReader propped up on my Book Seat, or lie in bed and take in a short fantasy or sci-fi story.